Compilation — where it appears
Named by 7 essays across one field — each of them below, with the objects they name alongside it.
A copy eased into place loses its seams before its source
A stretch of coast lifted from another sheet and dropped in rigidly leaves two sharp corners where it joins, and both of them are findable. A compiler does not work that way: they pin the ends and ease the middle until it looks continuous. Easing halves the corner within five per cent of the outline and the seams survive it — until forty per cent, where the located seam jumps from four per cent of the coast out to twenty. The source projection survives twice as far, to seventy-five. The piece goes on naming where it came from after the method has lost track of which piece it is.
A residual cannot count the pieces of a map
A compiled map does not say how many sheets went into it, and trying every count and keeping the best fit cannot tell. Seven pieces always fit better than two, because they contain them. A criterion that charges ln N for each number a piece spends recovers the true count in every trial, for one copied stretch and for two, until the digitising error reaches a thousandth of the map. AIC charges two and takes every piece it is offered. And an eased copy defeats the right criterion the other way: it is not a projection, so BIC buys pieces to explain it, three seams, then four, then six.
A second tracing tells a drifting hand from a copied stretch
A hand tracing a coast drifts rather than jitters, and a drifting error is a smooth departure no projection explains — so the criterion that counted copied stretches correctly under independent noise counts four or five seams where two were made, and three or four on a coast with no copy at all. Undo the drift before fitting and every count comes back, for no copy, one and two, in every tracing. That needs the drift's correlation length from outside the coast, known to within a factor of three on the short side and much less on the long, and a second tracing of the same coast supplies it: the difference between two tracings holds nothing but the two errors, and read that way the count is right in 22 tracings of 24, and never too high.
An easing is a seam with a width, and a drifting hand hides the width
A copy eased into a compiled coast is not a projection, so a count that explains the coast in rigid pieces buys four, five or six seams for one copy. Give each seam a width — the copy blended into the host over that width, the same linear fit at every width, the width charged as one more number — and the count is two seams at every easing up to 17.5 per cent of the coast, and the width it reports is the one drawn, wherever the copy departs from the host by many times the digitising error. Where it departs by seven, the width is a guess. On a tracing made by a drifting hand the easing disappears: whitened for the drift, the rigid count already calls two seams in every tracing, because an easing as long as the drift is a stretch of drift, and its width can no longer be read until it is twice the drift's length.
Averaging tracings reads the easing, until the hand repeats itself
One tracing by a drifting hand cannot show how far a copy was eased, because an easing as long as the drift is a stretch of drift. Average several tracings and the easing stays while the drift shrinks: two tracings read the easing's width at the seam where the copy departs strongly, sixteen read it at the seam where it barely departs, and as the drift falls the rigid count starts buying pieces for the easing again while the eased count stays at two. All of that assumes each tracing drifts afresh. A hand that repeats part of its drift in every tracing leaves that part in the mean, where it sets a floor no number of tracings goes below; and a digitiser who learns the hand from the spread between tracings measures only the part that averages away, and charges the mean too little, so that both counts buy every piece they are offered.
The spread between hands charges the mean, and an office's habit hides in the sheet
One hand's tracings cannot see the part of its drift it repeats, so a mean of sixteen by one hand is charged for a third of the error it carries. Sixteen tracings by four hands carry half the error of sixteen by one, and the spread between the hands' means, divided by the number of hands, charges that mean correctly to within a fifth on every sheet from three hands on — without ever estimating how much of a hand is habit. The same spread reads a hand's share of habit from two hands of two. What it cannot read is a habit every hand in the office shares: tracings of a sheet with one are tracings of a different sheet without it, and the charge they give falls further short the more hands and tracings are added.
A known coast charges an office's habit, and a bending one takes it out
An office whose hands all share a habit leaves it in every tracing of every sheet, where the spread between hands cannot see it. One control sheet — a coast known independently, traced the office's usual way — reads the habit's size and restores the charge, if the habit is a drift. If the habit answers to the coast's own curvature, a size read on a rounder coast charges a thinner one at little more than half, but the same control read differently does better than charge the habit: its departures, set against its curvature, give a slope that is the office's own on every coast, and subtracting it leaves about one per cent of the habit in the mean. The slope also tells the two kinds of office apart. A coast that hardly bends teaches neither, and corrects worse than nothing.
Named alongside it
The objects these essays reach for when they reach for this one.
EstimatorResidualSeamProjection identificationLeast-squaresSimilarityAveragingBiasDegrees of freedomSearchVerificationCorrelation