Tissot's indicatrix
Take a circle on the sphere, small enough that the projection is effectively linear across it. Its image on the map is an ellipse. That ellipse is Tissot’s indicatrix, and everything anyone needs to know about the distortion at that point is in its two axes.
Six numbers, of which four matter
Differentiating the projection at a point gives four partial derivatives, and six quantities follow.
is the scale factor along the meridian: how much the map stretches a step northward. is the scale factor along the parallel. These two are the ones most often quoted, and they are the two that depend on how the sphere was parameterised rather than on the map.
and are the semi-axes of the ellipse — the largest and smallest scale factors over all directions, called the principal scale factors. They do not depend on the parameterisation.
is the areal scale factor: how much the map inflates area at that point.
, the maximum angular deformation, is fixed by the ratio through
and is the largest amount by which any angle at that point is misrepresented.
The last four are properties of the map. The first two are properties of the map together with the coordinate grid, and confusing the two groups is the commonest error in informal treatments of this subject.
The two definitions fall out immediately
Conformal means angles are preserved, which means , which means , which means the indicatrix is a circle everywhere. A conformal projection may make the circle any size it likes — that is scale distortion, and it is unavoidable — but it must keep it round.
Equal-area means everywhere. The ellipse may be any shape at all, as long as its area matches the circle’s.
That is why the site can test a projection’s claim rather than repeating it: both properties are statements about a computable quantity at every point, and both are checkable by sampling.
Those two figures together are the trade-off, and it is forced rather than chosen.
What the usual version leaves out
Search for Tissot’s indicatrix and most of what comes back is a map with circles on it. Not ellipses — circles, all the same size, evenly spaced, unlabelled.
That is not an indicatrix. It is a picture of where indicatrices would go.
The entire content of the construction is how much the ellipse departs from a circle, and dropping the numbers drops the content. A reader looking at an unlabelled figure can see that the shapes near the poles are bigger, which they already knew, and cannot tell whether the areal factor there is 3 or 30. On Mercator at 70° it is about 8.5, and at 80° about 33 — a difference the picture does not carry and the number does.
Every indicatrix on this site is computed by pushing a small circle of directions through the projection and measuring what comes back, and the important ones state their axes, their areal factor and their in figures.
The construction is also checked against itself. The ellipse drawn by walking directions round a circle must have the semi-axes that the analytic formulae predict from the Jacobian — two independent routes to the same pair of numbers, and the agreement is asserted before the figure is drawn.
The infinitesimal, and what it costs
The indicatrix describes the projection’s behaviour on an infinitesimally small circle. That is not a technicality to gloss over; it is the source of the tool’s main limitation.
A projection is a smooth map, so at a small enough scale it is a linear map, and a linear map sends circles to ellipses. Everything above follows from that. Push the circle up to a finite size and the linearisation stops being exact — a large circle on the sphere maps to something that is not an ellipse at all, and its area need not equal times the original.
So the indicatrix is a statement about a point, and a map’s overall behaviour is not the sum of its points in any straightforward way. Summarising a whole projection by one number requires choosing a region and a weighting, and both are judgements rather than measurements.
The drawn indicatrices are also enlarged, by a factor stated in each figure. A true indicatrix at the scale of these maps would be smaller than a line width. This is the same compromise MacAdam’s ellipses require in colour science and it is worth noticing whenever a figure of this kind appears: the shapes are true and the sizes are magnified.
Comparing points across projections
The most useful thing the indicatrix does is let one point be compared across maps.
Four ellipses, four different answers, one point on the Earth. That figure is the argument against asking which projection is best without saying what for.
Reading a map’s indicatrices
Once the ellipses carry numbers, a map’s whole distortion pattern can be read off at a glance, and a few signatures are worth learning.
All circles, growing outward means conformal. The size tells the scale error, and the growth rate tells how fast the areal error accumulates.
All the same area, changing shape means equal-area. The elongation direction tells which way shapes are being stretched.
Ellipses leaning means the graticule is not orthogonal on the map — the principal directions are not the coordinate directions, and h and k have stopped describing the distortion.
Circles at one latitude, ellipses elsewhere means a standard parallel, and where the circles are is where the projection is exact.
That last figure is a useful negative example. A compromise projection has no clean indicatrix signature because it has no exact property, and the ellipses simply vary moderately in both shape and size everywhere.
The magnification problem
Every indicatrix figure on this site draws its ellipses at many times their true scale, and this is worth stating plainly because it is a real distortion of the evidence.
A true indicatrix is infinitesimal. Drawn at true scale on a world map it would be smaller than a line width, and a figure of twenty invisible dots would be accurate and useless.
The compromise is to draw the shape correctly and the size at a stated magnification. Within one figure the relative sizes are meaningful — a Mercator indicatrix at 60° really is four times the area of one at the equator — and across figures at different magnifications they are not.
The same compromise appears in MacAdam’s discrimination ellipses in colour science, for the same reason and with the same caveat. It is the standard treatment for any figure showing a local derivative as a finite shape.
What a finite region does instead
Push the circle up to a finite size and the linear approximation stops holding. A large circle on the sphere maps to a curve that is not an ellipse, its area is not times the original, and the indicatrix stops predicting it.
This is the indicatrix’s main limitation and it is structural. A country is a finite region; the indicatrix describes a point; and going from one to the other requires integrating, which introduces a choice of how to weight the interior.
Which is why summarising a projection by one number is a design decision rather than a measurement, and why this site reports pointwise distortions and exact finite-region areas as two separate things rather than blending them.
Two routes to the same ellipse
The construction is implemented twice on this site, and requiring the two to agree is what makes the figures trustworthy.
The analytic route differentiates the projection, assembles , and the angle between them, and computes and from the standard half-sum and half-difference formulae.
The geometric route walks a small circle of directions on the sphere, pushes each through the projection, and records the longest and shortest images.
They are independent — one is algebra on four partial derivatives, the other is a loop over 360 directions — and they agree to better than a part in a thousand, which is asserted before the detail figure is drawn.
That is the same discipline applied to the tool itself that the tool applies to the projections: the claim is measured rather than assumed, and by two routes wherever two exist.
The scale distortion nobody counts
A third failure hides inside the indicatrix and is usually left out of the classification.
Even a conformal projection, with everywhere, has varying from place to place. That is scale distortion: the map is at a different scale in different places, and it is unavoidable for the same reason everything else here is.
It does not appear in the angular deformation, which depends on the ratio, and it does appear in the areal factor, which depends on the product. So it is not independent of the two quantities this site tracks — but it is worth naming separately, because “the scale of a map” is a phrase people use as though it were a single number and it never is.
A map’s stated scale is its scale at the standard parallel, or its nominal scale, and everywhere else it differs. On Mercator at 60° the true scale is twice the nominal one.
The construction’s durability is worth a final remark. It is a nineteenth-century idea, it computes what would now be called the singular value decomposition of the Jacobian, and nothing has replaced it in a hundred and fifty years. That is unusual, and the reason is that the question it answers — what does this map do to a small circle here — is exactly the right question, and it has not changed.
What was computed here
Every quantity on this page comes from the projection’s own derivatives, obtained by Richardson-extrapolated central differences and validated against the analytic scale factors for the projections that have them — Mercator, equirectangular, sinusoidal and the Lambert cylindrical all agree to better than .
The derivation follows the standard route: and from the lengths of the two partial-derivative vectors divided by the corresponding distance on the sphere; the areal factor from the Jacobian determinant; the angle between the projected meridian and parallel from the ratio; and and from those by the usual half-sum and half-difference. The consistency relation holds by construction and is a useful thing to check by hand when adding a projection.
One assertion in the library guards the distinction this essay is about. The principal scales, areal factor and angular deformation must not change when the projection’s output axes are swapped, while and exchange. That is the cleanest available demonstration that the first group describes the map and the second describes the coordinates, and it comes out at exactly zero drift.
What the pictures cannot show
The magnification, already stated. And the fact that these are point measurements: an indicatrix says nothing about what happens to a country, only about what happens at a place.
There is also a limit specific to the comparison figure. Four ellipses drawn side by side have been scaled to fit the panels, so their relative sizes across panels are not meaningful — only the shape within each panel and the numbers underneath. A figure that showed the true relative sizes would be mostly white space with one enormous Mercator ellipse in it, which is honest about the areas and useless about the shapes.
Who found it, and when
Nicolas Auguste Tissot published the construction in 1859 and developed it in his Mémoire sur la représentation des surfaces of 1881. He was a French cartographer, and the problem he was addressing was practical: given several candidate projections for a survey, how does one compare them without arguing about appearances.
His answer was to stop looking at the map as a whole and look at what it does to a point. That move — from the global impression to the local derivative — is what made the comparison quantitative, and it is the reason a nineteenth-century construction is still the standard tool.
The mathematics underneath is older, and is the singular value decomposition of the Jacobian in all but name: and are its singular values, and the principal directions are its singular vectors. Tissot did not have that vocabulary and did not need it.
Where this goes next
The distinction between the two groups of quantities is what survives a change of coordinates. The two independent failures it measures are the two ways a map is wrong. And the method the whole site is built on is measuring instead of naming.