A feature across nine tiles at zoom 4, and the nine labels it gets
A rectangle from -10° to 30° east and 36° to 62° north, drawn in the projected plane with the tile boundaries over it. A renderer that draws each tile from the geometry inside that tile puts the label at the centroid of the piece, marked hollow; the whole feature's centroid is the filled mark. The furthest piece's label is 1863 kilometres from it. The pieces' areas sum to the whole to 2.2e-16 of a relative part, so the clipping is exact and the displacement is the operation rather than an error in it.
It is drawn by screen-figure with
show: "tile-clip" — one member of a family of
12 figures
that share a generator, so the drawing above is what that generator returns when it is asked
for this one and given nothing else.
3 essays call it. Every call below passes it something, because a placement that passes nothing draws whichever member of the family the generator happens to default to rather than the one its essay argues about.
Where it is called
Changing this changes every one of these figures.
A screen map is a pyramid of tiles
The scheme every slippy map runs on is a coordinate system with three integers and one projection, and almost all of it is forced. A square world is what makes the quadtree work, the levels are exact powers of two, and the published resolution — 156,543 metres per pixel at zoom zero — is a distance on the ground at exactly one latitude.
A tile is drawn without its neighbours
Independence is what makes the scheme scale: one request touches one square of the world. It also means a feature crossing nine tiles is nine features, each labelled at its own centroid — up to 1,863 kilometres from the whole one — and the displacement is bounded by the size of the feature rather than the size of a tile, so it grows as the reader zooms out.
A label belongs to no tile
Nine rungs price the tile as a piece of geometry. A label is not geometry — it is a page object placed by collision against other page objects, and collision is a global relation while a tile is rendered alone. Cut a page into tiles and 10.3 per cent of the labels are placed differently; the buffer that closes the gap is half a tile at moderate density and a whole one when it is crowded.