Figure

How much of the spectrum has the wrong sign

Drawn here at the parameters it defaults to, with every essay that calls it.
How much of the spectrum has the wrong sign. The signature of the double-centred squared-distance matrix for five sets of places, one row each, one cell per eigenvalue, ordered largest first. Filled cells on the left are positive, pale cells are zero, and the cells on the right are negative — the eigenvalues that no Euclidean space of any dimension can hold. Four places give one; sixteen cities give 8 of 16. The chordal distances of every one of these sets give three positive, no negative, at every size, which is the refusal that makes the geodesic column mean something rather than merely being a picture of a spectrum.

The signature of the double-centred squared-distance matrix for five sets of places, one row each, one cell per eigenvalue, ordered largest first. Filled cells on the left are positive, pale cells are zero, and the cells on the right are negative — the eigenvalues that no Euclidean space of any dimension can hold. Four places give one; sixteen cities give 8 of 16. The chordal distances of every one of these sets give three positive, no negative, at every size, which is the refusal that makes the geodesic column mean something rather than merely being a picture of a spectrum.

It is drawn by curvature-figure with show: "distance-signature" — one member of a family of 29 figures that share a generator, so the drawing above is what that generator returns when it is asked for this one and given nothing else.

1 essay calls it. Every call below passes it something, because a placement that passes nothing draws whichever member of the family the generator happens to default to rather than the one its essay argues about.

Where it is called

Changing this changes every one of these figures.

The whole library