Figure

The pins' share of the shape is nothing at one place, and grows with every place pinned

Drawn here at the parameters it defaults to, with every essay that calls it.
The pins' share of the shape is nothing at one place, and grows with every place pinned. How much of the error in the picture's shape comes from the pins, as a share of its variance, against the pins' tolerance, for pins at one to four of the four cities. At one place it is exactly nothing at every tolerance. At two places it peaks at 4.6 per cent near 40 km; at three, 20.7 per cent near 40 km. At four, pins good to a kilometre supply 100 per cent of the shape's error, pins good to fifty 51 per cent and pins good to three hundred 3 per cent. As the pins become useless every curve falls to nothing, because the fit stops listening to them. As they become exact the curves for two and three places fall to nothing too, because an exact pin has no error to give, and the curve for four rises to all of it, because four exact pins leave the distances and bearings nothing to decide.

How much of the error in the picture's shape comes from the pins, as a share of its variance, against the pins' tolerance, for pins at one to four of the four cities. At one place it is exactly nothing at every tolerance. At two places it peaks at 4.6 per cent near 40 km; at three, 20.7 per cent near 40 km. At four, pins good to a kilometre supply 100 per cent of the shape's error, pins good to fifty 51 per cent and pins good to three hundred 3 per cent. As the pins become useless every curve falls to nothing, because the fit stops listening to them. As they become exact the curves for two and three places fall to nothing too, because an exact pin has no error to give, and the curve for four rises to all of it, because four exact pins leave the distances and bearings nothing to decide.

It is one of 78 figures drawn by the same construction, and the drawing above is this one with nothing changed.

1 essay calls it. Every call below passes it something, because a placement that passes nothing draws whichever member of the family the generator happens to default to rather than the one its essay argues about.

Where it is called

Changing this changes every one of these figures.

The whole library