Figure

What the picture gets wrong is everything it was not asked about

Drawn here at the parameters it defaults to, with every essay that calls it.
What the picture gets wrong is everything it was not asked about. The twelve constraints the six-constraint picture was not asked to hold, with what it makes of each — a relative error for a distance and an angle for a bearing, both drawn against the same bar so the two kinds can be seen together. The worst distance is Tokyo–Sydney at 6.9% and the worst bearing Tokyo → Sydney at 169°. Six exact constraints are not six-eighteenths of a correct picture: they are six statements that happen to be true about a drawing that is otherwise as wrong as any flat picture of four world cities has to be.

The twelve constraints the six-constraint picture was not asked to hold, with what it makes of each — a relative error for a distance and an angle for a bearing, both drawn against the same bar so the two kinds can be seen together. The worst distance is Tokyo–Sydney at 6.9% and the worst bearing Tokyo → Sydney at 169°. Six exact constraints are not six-eighteenths of a correct picture: they are six statements that happen to be true about a drawing that is otherwise as wrong as any flat picture of four world cities has to be.

It is one of 65 figures drawn by the same construction, and the drawing above is this one with nothing changed.

1 essay calls it. Every call below passes it something, because a placement that passes nothing draws whichever member of the family the generator happens to default to rather than the one its essay argues about.

Where it is called

Changing this changes every one of these figures.

The whole library