Figure

Every projection against a picture that is not a map

Drawn here at the parameters it defaults to, with every essay that calls it.
Every projection against a picture that is not a map. The worst relative distance error over London, New York, Tokyo, Sydney, for each projection in the library and for the best flat arrangement of the same distances. Each azimuthal member is centred on the set's own centroid, which is the fair comparison. The free picture reaches 0.63% and the best projection, Azimuthal equidistant, reaches 8.28% — a ratio of 13.17. The free picture cannot lose, because every projection's own layout was handed to the search as a starting point; what the figure measures is how much the freedom is worth, and it is worth different amounts at different sizes.

The worst relative distance error over London, New York, Tokyo, Sydney, for each projection in the library and for the best flat arrangement of the same distances. Each azimuthal member is centred on the set's own centroid, which is the fair comparison. The free picture reaches 0.63% and the best projection, Azimuthal equidistant, reaches 8.28% — a ratio of 13.17. The free picture cannot lose, because every projection's own layout was handed to the search as a starting point; what the figure measures is how much the freedom is worth, and it is worth different amounts at different sizes.

It is drawn by curvature-figure with show: "distance-library" — one member of a family of 29 figures that share a generator, so the drawing above is what that generator returns when it is asked for this one and given nothing else.

1 essay calls it. Every call below passes it something, because a placement that passes nothing draws whichever member of the family the generator happens to default to rather than the one its essay argues about.

Where it is called

Changing this changes every one of these figures.

The whole library