The best flat picture of them, and what it still gets wrong
The four places placed on a plane so that the WORST of the six distances is as nearly right as any flat arrangement can make it. There is no projection here and no map: the dots carry no coordinates, only separations. Each edge is labelled with how far its drawn length is from the truth once the picture has been given its one free scale. The best any arrangement achieves is 0.629% on the worst edge — London to Tokyo — and no rearrangement lowers it, because the six numbers are not the distances of four points in a plane at all.
It is one of 78 figures drawn by the same construction, and the drawing above is this one with nothing changed.
1 essay calls it. Every call below passes it something, because a placement that passes nothing draws whichever member of the family the generator happens to default to rather than the one its essay argues about.
Where it is called
Changing this changes every one of these figures.