Figure

Twenty-nine bearings of sixteen cities, every arrow forwards

Drawn here at the parameters it defaults to, with every essay that calls it.
Twenty-nine bearings of sixteen cities, every arrow forwards. A flat picture of sixteen cities on every continent that holds twenty-nine one-way bearings exactly, the most any flat picture of sixteen places can hold, with every arrow pointing forwards. It was built rather than chosen: starting from Nairobi and Tokyo, each further city is placed where two bearings to or from cities already placed meet in front of both. No choice of twenty-nine made at random in two hundred tries can be drawn. The frame holds 15 of the cities: Santiago is placed by two bearings that cross at a shallow angle and lands 19 times the rest of the picture's own radius away, so its arrows are drawn dashed to the edge. The other 211 bearings pay for the twenty-nine: the worst, New York to Los Angeles, dashed and heavy, is 172.6° from the truth.

A flat picture of sixteen cities on every continent that holds twenty-nine one-way bearings exactly, the most any flat picture of sixteen places can hold, with every arrow pointing forwards. It was built rather than chosen: starting from Nairobi and Tokyo, each further city is placed where two bearings to or from cities already placed meet in front of both. No choice of twenty-nine made at random in two hundred tries can be drawn. The frame holds 15 of the cities: Santiago is placed by two bearings that cross at a shallow angle and lands 19 times the rest of the picture's own radius away, so its arrows are drawn dashed to the edge. The other 211 bearings pay for the twenty-nine: the worst, New York to Los Angeles, dashed and heavy, is 172.6° from the truth.

It is one of 51 figures drawn by the same construction, and the drawing above is this one with nothing changed.

1 essay calls it. Every call below passes it something, because a placement that passes nothing draws whichever member of the family the generator happens to default to rather than the one its essay argues about.

Where it is called

Changing this changes every one of these figures.

The whole library